toad.social

WordofTheHour<a href="https://mastodon.social/tags/aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#aside</a> : out of a straight line, course, or direction- French: à part- German: beiseite, abgesehen von - Italian: a parte- Portuguese: de lado- Spanish: aparte------------Report an incorrect translation @ <a href="https://wordofthehour.org/r/translations" rel="nofollow noopener" translate="no" target="_blank">https://wordofthehour.org/r/translations</a>

50+ Music"It's Too Late" is a song from American singer-songwriter <a href="https://mastodon.online/tags/CaroleKing" class="mention hashtag" rel="nofollow noopener" target="_blank">#CaroleKing</a>'s second studio album, <a href="https://mastodon.online/tags/Tapestry" class="mention hashtag" rel="nofollow noopener" target="_blank">#Tapestry</a> (1971). <a href="https://mastodon.online/tags/ToniStern" class="mention hashtag" rel="nofollow noopener" target="_blank">#ToniStern</a> wrote the lyrics and King wrote the music. It was released as a single in April 1971 by <a href="https://mastodon.online/tags/OdeRecords" class="mention hashtag" rel="nofollow noopener" target="_blank">#OdeRecords</a> and reached No. 1 on the US <a href="https://mastodon.online/tags/Billboard" class="mention hashtag" rel="nofollow noopener" target="_blank">#Billboard</a> <a href="https://mastodon.online/tags/Hot100" class="mention hashtag" rel="nofollow noopener" target="_blank">#Hot100</a> and <a href="https://mastodon.online/tags/AdultContemporary" class="mention hashtag" rel="nofollow noopener" target="_blank">#AdultContemporary</a> charts. Sales were later <a href="https://mastodon.online/tags/platinum" class="mention hashtag" rel="nofollow noopener" target="_blank">#platinum</a>-certified by the <a href="https://mastodon.online/tags/RecordingIndustryAssociationOfAmerica" class="mention hashtag" rel="nofollow noopener" target="_blank">#RecordingIndustryAssociationOfAmerica</a> (<a href="https://mastodon.online/tags/RIAA" class="mention hashtag" rel="nofollow noopener" target="_blank">#RIAA</a>). Billboard ranked "It's Too Late" and its fellow <a href="https://mastodon.online/tags/Aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#Aside</a>, "<a href="https://mastodon.online/tags/IFeelTheEarthMove" class="mention hashtag" rel="nofollow noopener" target="_blank">#IFeelTheEarthMove</a>". <a href="https://www.youtube.com/watch?v=VkKxmnrRVHo" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=VkKxmnrRVHo</a>

Bytes EuropeBudget 2025: Government offers $200m for would-be gas investors <a href="https://www.byteseu.com/1033221/" rel="nofollow noopener" translate="no" target="_blank">https://www.byteseu.com/1033221/</a> #200 <a href="https://pubeurope.com/tags/200m" class="mention hashtag" rel="nofollow noopener" target="_blank">#200m</a> #2025 <a href="https://pubeurope.com/tags/aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#aside</a> <a href="https://pubeurope.com/tags/Budget" class="mention hashtag" rel="nofollow noopener" target="_blank">#Budget</a> <a href="https://pubeurope.com/tags/coinvest" class="mention hashtag" rel="nofollow noopener" target="_blank">#coinvest</a> <a href="https://pubeurope.com/tags/fields" class="mention hashtag" rel="nofollow noopener" target="_blank">#fields</a> <a href="https://pubeurope.com/tags/for" class="mention hashtag" rel="nofollow noopener" target="_blank">#for</a> <a href="https://pubeurope.com/tags/game" class="mention hashtag" rel="nofollow noopener" target="_blank">#game</a> <a href="https://pubeurope.com/tags/Gas" class="mention hashtag" rel="nofollow noopener" target="_blank">#Gas</a> <a href="https://pubeurope.com/tags/Government" class="mention hashtag" rel="nofollow noopener" target="_blank">#Government</a> <a href="https://pubeurope.com/tags/have" class="mention hashtag" rel="nofollow noopener" target="_blank">#have</a> <a href="https://pubeurope.com/tags/investors" class="mention hashtag" rel="nofollow noopener" target="_blank">#investors</a> <a href="https://pubeurope.com/tags/million" class="mention hashtag" rel="nofollow noopener" target="_blank">#million</a> <a href="https://pubeurope.com/tags/NewZealand" class="mention hashtag" rel="nofollow noopener" target="_blank">#NewZealand</a> <a href="https://pubeurope.com/tags/offers" class="mention hashtag" rel="nofollow noopener" target="_blank">#offers</a> <a href="https://pubeurope.com/tags/prepared" class="mention hashtag" rel="nofollow noopener" target="_blank">#prepared</a> <a href="https://pubeurope.com/tags/setting" class="mention hashtag" rel="nofollow noopener" target="_blank">#setting</a> <a href="https://pubeurope.com/tags/show" class="mention hashtag" rel="nofollow noopener" target="_blank">#show</a> <a href="https://pubeurope.com/tags/Skin" class="mention hashtag" rel="nofollow noopener" target="_blank">#Skin</a> <a href="https://pubeurope.com/tags/wouldbe" class="mention hashtag" rel="nofollow noopener" target="_blank">#wouldbe</a>

ErzbetAPLAN International has debuted a new boygroup:Winnie is from the kpop group NINE.i and a contestant on Boys Planet Minlee was a contestant on Boys Planet and Under NineteenU.Jay was a contestant on Chuang 2021Ruka wasn't previously in any groups or survival shows Fish Sauce by A:side <a href="https://www.youtube.com/watch?v=4vzYux00AzU&ab_channel=A%3ASIDEOFFICIAL" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=4vzYux00AzU&ab_channel=A%3ASIDEOFFICIAL</a><a href="https://apobangpo.space/tags/tpop" class="mention hashtag" rel="nofollow noopener" target="_blank">#tpop</a> <a href="https://apobangpo.space/tags/ThaiPop" class="mention hashtag" rel="nofollow noopener" target="_blank">#ThaiPop</a> <a href="https://apobangpo.space/tags/NewMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#NewMusic</a> <a href="https://apobangpo.space/tags/Aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#Aside</a> <a href="https://apobangpo.space/tags/Kpop" class="mention hashtag" rel="nofollow noopener" target="_blank">#Kpop</a> <a href="https://apobangpo.space/tags/KpopAdjacent" class="mention hashtag" rel="nofollow noopener" target="_blank">#KpopAdjacent</a> <a href="https://apobangpo.space/tags/NineI" class="mention hashtag" rel="nofollow noopener" target="_blank">#NineI</a>

50+ Music"Rock and Roll All Nite" is a song by American <a href="https://mastodon.online/tags/rock" class="mention hashtag" rel="nofollow noopener" target="_blank">#rock</a> band <a href="https://mastodon.online/tags/Kiss" class="mention hashtag" rel="nofollow noopener" target="_blank">#Kiss</a>, originally released on their 1975 album <a href="https://mastodon.online/tags/DressedToKill" class="mention hashtag" rel="nofollow noopener" target="_blank">#DressedToKill</a> as its closing track. It was released as the <a href="https://mastodon.online/tags/Aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#Aside</a> of their fifth single, with the album track "Getaway". The studio version of the song peaked at No. 68 on the <a href="https://mastodon.online/tags/Billboard" class="mention hashtag" rel="nofollow noopener" target="_blank">#Billboard</a> singles chart, besting the band's previous charting single, "Kissin' Time" (#89). A subsequent live version, released as a single in October 1975. <a href="https://www.youtube.com/watch?v=EFMD7Usflbg" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=EFMD7Usflbg</a>

50+ Music"If Not for You" is a song by American singer-songwriter <a href="https://mastodon.online/tags/BobDylan" class="mention hashtag" rel="nofollow noopener" target="_blank">#BobDylan</a> from his October 1970 album <a href="https://mastodon.online/tags/NewMorning" class="mention hashtag" rel="nofollow noopener" target="_blank">#NewMorning</a>. It was issued as the <a href="https://mastodon.online/tags/Aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#Aside</a> of a single in Europe in early 1971. The song is a <a href="https://mastodon.online/tags/loveSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#loveSong</a> to Dylan's first wife, <a href="https://mastodon.online/tags/SaraDylan" class="mention hashtag" rel="nofollow noopener" target="_blank">#SaraDylan</a>. He recorded it several times in 1970; the session for the released version took place in New York in August. He also recorded the song with <a href="https://mastodon.online/tags/GeorgeHarrison" class="mention hashtag" rel="nofollow noopener" target="_blank">#GeorgeHarrison</a> on May 1, soon after the <a href="https://mastodon.online/tags/breakupOfTheBeatles" class="mention hashtag" rel="nofollow noopener" target="_blank">#breakupOfTheBeatles</a>. <a href="https://www.youtube.com/watch?v=aJvwcpkBN3A" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=aJvwcpkBN3A</a>

50+ Music"Having a Party" is a song by American singer-songwriter <a href="https://mastodon.online/tags/SamCooke" class="mention hashtag" rel="nofollow noopener" target="_blank">#SamCooke</a>, released on May 8, 1962, by <a href="https://mastodon.online/tags/RCAVictor" class="mention hashtag" rel="nofollow noopener" target="_blank">#RCAVictor</a>. Produced by <a href="https://mastodon.online/tags/HugoAndLuigi" class="mention hashtag" rel="nofollow noopener" target="_blank">#HugoAndLuigi</a> and arranged and conducted by <a href="https://mastodon.online/tags/Ren%C3%A9Hall" class="mention hashtag" rel="nofollow noopener" target="_blank">#RenéHall</a>, the song was the <a href="https://mastodon.online/tags/Aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#Aside</a> to "<a href="https://mastodon.online/tags/BringItOnHomeToMe" class="mention hashtag" rel="nofollow noopener" target="_blank">#BringItOnHomeToMe</a>". The song peaked at number four on the US <a href="https://mastodon.online/tags/Billboard" class="mention hashtag" rel="nofollow noopener" target="_blank">#Billboard</a> <a href="https://mastodon.online/tags/HotRAndBSides" class="mention hashtag" rel="nofollow noopener" target="_blank">#HotRAndBSides</a> chart, and also charted at number 17 on the Billboard <a href="https://mastodon.online/tags/Hot100" class="mention hashtag" rel="nofollow noopener" target="_blank">#Hot100</a>. <a href="https://www.youtube.com/watch?v=E62kZXrM8AA" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=E62kZXrM8AA</a>

50+ Music"I Was Made for Lovin' You" is a song by American <a href="https://mastodon.online/tags/hardRock" class="mention hashtag" rel="nofollow noopener" target="_blank">#hardRock</a> band <a href="https://mastodon.online/tags/Kiss" class="mention hashtag" rel="nofollow noopener" target="_blank">#Kiss</a>, originally released on their 1979 album, <a href="https://mastodon.online/tags/Dynasty" class="mention hashtag" rel="nofollow noopener" target="_blank">#Dynasty</a>. It was released as the <a href="https://mastodon.online/tags/Aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#Aside</a> of their first <a href="https://mastodon.online/tags/single" class="mention hashtag" rel="nofollow noopener" target="_blank">#single</a> from the album, with "Hard Times" as the B-side. <a href="https://www.youtube.com/watch?v=jhorQPIiAEk" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=jhorQPIiAEk</a>

50+ Music"I Was Made for Lovin' You" is a song by American <a href="https://mastodon.online/tags/hardRock" class="mention hashtag" rel="nofollow noopener" target="_blank">#hardRock</a> band <a href="https://mastodon.online/tags/Kiss" class="mention hashtag" rel="nofollow noopener" target="_blank">#Kiss</a>, originally released on their 1979 album, <a href="https://mastodon.online/tags/Dynasty" class="mention hashtag" rel="nofollow noopener" target="_blank">#Dynasty</a>. It was released as the <a href="https://mastodon.online/tags/Aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#Aside</a> of their first <a href="https://mastodon.online/tags/single" class="mention hashtag" rel="nofollow noopener" target="_blank">#single</a> from the album, with "Hard Times" as the B-side. <a href="https://www.youtube.com/watch?v=4b89j6IacN0" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=4b89j6IacN0</a>

50+ Music"America" is a song performed by <a href="https://mastodon.online/tags/American" class="mention hashtag" rel="nofollow noopener" target="_blank">#American</a> music duo <a href="https://mastodon.online/tags/SimonAndGarfunkel" class="mention hashtag" rel="nofollow noopener" target="_blank">#SimonAndGarfunkel</a>, which they included on their fourth studio album, <a href="https://mastodon.online/tags/Bookends" class="mention hashtag" rel="nofollow noopener" target="_blank">#Bookends</a>, in 1968. It was produced by the duo and <a href="https://mastodon.online/tags/RoyHalee" class="mention hashtag" rel="nofollow noopener" target="_blank">#RoyHalee</a>. The song was later issued as the <a href="https://mastodon.online/tags/Bside" class="mention hashtag" rel="nofollow noopener" target="_blank">#Bside</a> of the single "<a href="https://mastodon.online/tags/ForEmilyWheneverIMayFindHer" class="mention hashtag" rel="nofollow noopener" target="_blank">#ForEmilyWheneverIMayFindHer</a> (live version)" in 1972 to promote the release of the compilation album <a href="https://mastodon.online/tags/SimonAndGarfunkelsGreatestHits" class="mention hashtag" rel="nofollow noopener" target="_blank">#SimonAndGarfunkelsGreatestHits</a>. After peaking in the charts in July 1972, the song was switched to the <a href="https://mastodon.online/tags/Aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#Aside</a> of the single. <a href="https://www.youtube.com/watch?v=sovVYInjHjw" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=sovVYInjHjw</a>

50+ Music"If Not for You" is a song by American singer-songwriter <a href="https://mastodon.online/tags/BobDylan" class="mention hashtag" rel="nofollow noopener" target="_blank">#BobDylan</a> from his October 1970 album <a href="https://mastodon.online/tags/NewMorning" class="mention hashtag" rel="nofollow noopener" target="_blank">#NewMorning</a>. It was issued as the <a href="https://mastodon.online/tags/Aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#Aside</a> of a single in Europe in early 1971. The song is a <a href="https://mastodon.online/tags/loveSong" class="mention hashtag" rel="nofollow noopener" target="_blank">#loveSong</a> to Dylan's first wife, <a href="https://mastodon.online/tags/SaraDylan" class="mention hashtag" rel="nofollow noopener" target="_blank">#SaraDylan</a>. He recorded it several times in 1970; the session for the released version took place in New York in August. He also recorded the song with <a href="https://mastodon.online/tags/GeorgeHarrison" class="mention hashtag" rel="nofollow noopener" target="_blank">#GeorgeHarrison</a> on May 1, soon after the <a href="https://mastodon.online/tags/breakupOfTheBeatles" class="mention hashtag" rel="nofollow noopener" target="_blank">#breakupOfTheBeatles</a>. <a href="https://www.youtube.com/watch?v=-PCV-BTg_6w" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=-PCV-BTg_6w</a>

50+ Music"I Was Made for Lovin' You" is a song by American <a href="https://mastodon.online/tags/hardRock" class="mention hashtag" rel="nofollow noopener" target="_blank">#hardRock</a> band <a href="https://mastodon.online/tags/Kiss" class="mention hashtag" rel="nofollow noopener" target="_blank">#Kiss</a>, originally released on their 1979 album, <a href="https://mastodon.online/tags/Dynasty" class="mention hashtag" rel="nofollow noopener" target="_blank">#Dynasty</a>. It was released as the <a href="https://mastodon.online/tags/Aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#Aside</a> of their first <a href="https://mastodon.online/tags/single" class="mention hashtag" rel="nofollow noopener" target="_blank">#single</a> from the album, with "Hard Times" as the B-side. <a href="https://www.youtube.com/watch?v=ooZ-Sqx5gh0" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=ooZ-Sqx5gh0</a>

இது இப்போஇங்கு வலதுசாரி அரசு ஆட்சி செய்வது ஒரு வகையில் நல்லதாக போயிற்று. தடுப்பூசி, பருவநிலை மாற்றம் போன்றவை சந்தேகிக்கப்பட்டிருக்கும் (அது ஏன் எப்போதும் புயல் எதிர்க்கட்சி மாநிலங்களை மட்டும் குறி வைத்து தாக்குகிறது, என்ற அபத்தமான கேள்விக்கு யாரால் பதில் சொல்ல முடியும்!)<a href="https://thisisnow5.wordpress.com/2024/10/12/memesis/" class="" rel="nofollow noopener" target="_blank">https://thisisnow5.wordpress.com/2024/10/12/memesis/</a><a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://thisisnow5.wordpress.com/tag/aside/" target="_blank">#aside</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://thisisnow5.wordpress.com/tag/climatechange/" target="_blank">#climateChange</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://thisisnow5.wordpress.com/tag/conspiracytheories/" target="_blank">#conspiracyTheories</a>

Chuck DarwinIn Arlington cemetery fracas, Team Trump shoved a woman and called her crazy -- because that’s what they doWhen the event took place on Aug. 26 — the third anniversary of the bombing that killed 13 U.S. service members — just one journalist raised questions. Esquire’s Charlie Pierce — a relic from journalism’s lost golden era — wrote a scathing pieceheadlined: 🔥“How The Hell Was Trump Allowed To Use Arlington National Cemetery As A Campaign Prop?” 🔥Two NPR reporters — Quil Lawrence and Tom Bowman — went to work answering Pierce’s question and learned two things, one of them stunning. They reported a) no one except cemetery staff is <a href="https://c.im/tags/allowed" class="mention hashtag" rel="nofollow noopener" target="_blank">#allowed</a> to take pictures or shoot video in Section 60, and b) a woman staffer from Arlington who tried to enforce those rules said she was physically confronted by Trump campaign staffers and <a href="https://c.im/tags/shoved" class="mention hashtag" rel="nofollow noopener" target="_blank">#shoved</a> <a href="https://c.im/tags/aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#aside</a> during the altercation.More than a week later, <a href="https://c.im/tags/Democrats" class="mention hashtag" rel="nofollow noopener" target="_blank">#Democrats</a> on Capitol Hill are calling for more public information about what actually happened, <a href="https://c.im/tags/veterans" class="mention hashtag" rel="nofollow noopener" target="_blank">#veterans</a> <a href="https://c.im/tags/groups" class="mention hashtag" rel="nofollow noopener" target="_blank">#groups</a> are expressing outrage over the idea that fallen heroes were used for props by a politician who’s long shown disrespect for soldiers and their sacrifices, and <a href="https://c.im/tags/Team" class="mention hashtag" rel="nofollow noopener" target="_blank">#Team</a> <a href="https://c.im/tags/Trump" class="mention hashtag" rel="nofollow noopener" target="_blank">#Trump</a> has fought back with statements of support from pro-Republican Gold Star Mothers. The mainstream media that botched the initial coverage should be pushing for answers on key unanswered questions, including the identity of the alleged shover. But despite a week of headlines, there’s one critical aspect to this story I feel is being ignored, even though it is central to the very essence of Trump’s warped campaign:The people closest to Trump allegedly shoved and verbally abused a woman — because that’s what they do. <a href="https://www.inquirer.com/columnists/attytood/trump-arlington-cemetery-sundown-towns-ferguson-20240903.html" rel="nofollow noopener" translate="no" target="_blank">https://www.inquirer.com/columnists/attytood/trump-arlington-cemetery-sundown-towns-ferguson-20240903.html</a>

🪑Dr Rockstar ♫<a href="https://social.vivaldi.net/tags/ADVERTISING" class="mention hashtag" rel="nofollow noopener" target="_blank">#ADVERTISING</a> Internet <a href="https://social.vivaldi.net/tags/Ads" class="mention hashtag" rel="nofollow noopener" target="_blank">#Ads</a> but First the <a href="https://social.vivaldi.net/tags/Discovery" class="mention hashtag" rel="nofollow noopener" target="_blank">#Discovery</a> Reminds me of <a href="https://social.vivaldi.net/tags/Radiohead" class="mention hashtag" rel="nofollow noopener" target="_blank">#Radiohead</a> <a href="https://youtu.be/0c5BDNWUM1k?si=W2WjevlVoAGLpO1l" rel="nofollow noopener" translate="no" target="_blank">https://youtu.be/0c5BDNWUM1k?si=W2WjevlVoAGLpO1l</a>Now the <a href="https://social.vivaldi.net/tags/aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#aside</a> which is no longer aside! Someone like <a href="https://mastodon.social/@Meyerweb" class="u-url mention" rel="nofollow noopener" target="_blank">@Meyerweb</a> might <a href="https://social.vivaldi.net/tags/appreciate" class="mention hashtag" rel="nofollow noopener" target="_blank">#appreciate</a> this. (the <a href="https://social.vivaldi.net/tags/Forefathers" class="mention hashtag" rel="nofollow noopener" target="_blank">#Forefathers</a> of web) So, <a href="https://social.vivaldi.net/@Vivaldi" class="u-url mention" rel="nofollow noopener" target="_blank">@Vivaldi</a> is different. It must be the the only that blocks ads correctly. My attestation: I have recognized "ads" (<a href="https://social.vivaldi.net/tags/CDN" class="mention hashtag" rel="nofollow noopener" target="_blank">#CDN</a> <a href="https://social.vivaldi.net/tags/embed" class="mention hashtag" rel="nofollow noopener" target="_blank">#embed</a> <a href="https://social.vivaldi.net/tags/media" class="mention hashtag" rel="nofollow noopener" target="_blank">#media</a> content maybe) being "invisible" as display:hidden not display:none oddly, i digress...Whatever about countermeasures!Point is: Why must we suffer ads at all? We don't have to, you know. We let it happen.Remember when we sat at the "HUB Desk" <a href="https://social.vivaldi.net/tags/HetzelUnionbuilding" class="mention hashtag" rel="nofollow noopener" target="_blank">#HetzelUnionbuilding</a> <a href="https://social.vivaldi.net/tags/HUB" class="mention hashtag" rel="nofollow noopener" target="_blank">#HUB</a> <a href="https://social.vivaldi.net/tags/PennState" class="mention hashtag" rel="nofollow noopener" target="_blank">#PennState</a> in 1994? i was a Junior (first year at <a href="https://social.vivaldi.net/tags/UniversityPark" class="mention hashtag" rel="nofollow noopener" target="_blank">#UniversityPark</a> , <a href="https://social.vivaldi.net/tags/WorkStudy" class="mention hashtag" rel="nofollow noopener" target="_blank">#WorkStudy</a>) Anyway. Mozilla. No! Not Mozilla! <a href="https://social.vivaldi.net/tags/Mosaic" class="mention hashtag" rel="nofollow noopener" target="_blank">#Mosaic</a> <a href="https://social.vivaldi.net/@Catweazle" class="u-url mention" rel="nofollow noopener" target="_blank">@Catweazle</a> follows me. There were no Ads on anything in Mosaic! Ads. Gimme <a href="https://social.vivaldi.net/tags/Eudora" class="mention hashtag" rel="nofollow noopener" target="_blank">#Eudora</a> and <a href="https://social.vivaldi.net/tags/PSUVM" class="mention hashtag" rel="nofollow noopener" target="_blank">#PSUVM</a> The pretty young miss in front is supposed to email me it this weekend! An real EMAIL! To me! Aww, I'm in! :DI came here to post this song. That's why. See how <a href="https://social.vivaldi.net/tags/TERRIBLE" class="mention hashtag" rel="nofollow noopener" target="_blank">#TERRIBLE</a> <a href="https://social.vivaldi.net/tags/Ads" class="mention hashtag" rel="nofollow noopener" target="_blank">#Ads</a> are! Esp if you have <a href="https://social.vivaldi.net/tags/ADHD" class="mention hashtag" rel="nofollow noopener" target="_blank">#ADHD</a> The distraction, and this interjection has ruined it. I thought it sounded like RADIOHEAD::share==%Distracted%Has anyone seen the exit sign? :micdrop:<a href="https://social.vivaldi.net/tags/BandOfSkulls" class="mention hashtag" rel="nofollow noopener" target="_blank">#BandOfSkulls</a>

50+ Music"America" is a song performed by <a href="https://mastodon.online/tags/American" class="mention hashtag" rel="nofollow noopener" target="_blank">#American</a> music duo <a href="https://mastodon.online/tags/SimonAndGarfunkel" class="mention hashtag" rel="nofollow noopener" target="_blank">#SimonAndGarfunkel</a>, which they included on their fourth studio album, <a href="https://mastodon.online/tags/Bookends" class="mention hashtag" rel="nofollow noopener" target="_blank">#Bookends</a>, in 1968. It was produced by the duo and <a href="https://mastodon.online/tags/RoyHalee" class="mention hashtag" rel="nofollow noopener" target="_blank">#RoyHalee</a>. The song was later issued as the <a href="https://mastodon.online/tags/Bside" class="mention hashtag" rel="nofollow noopener" target="_blank">#Bside</a> of the single "<a href="https://mastodon.online/tags/ForEmilyWheneverIMayFindHer" class="mention hashtag" rel="nofollow noopener" target="_blank">#ForEmilyWheneverIMayFindHer</a> (live version)" in 1972 to promote the release of the compilation album <a href="https://mastodon.online/tags/SimonAndGarfunkelsGreatestHits" class="mention hashtag" rel="nofollow noopener" target="_blank">#SimonAndGarfunkelsGreatestHits</a>. After peaking in the charts in July 1972, the song was switched to the <a href="https://mastodon.online/tags/Aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#Aside</a> of the single. <a href="https://www.youtube.com/watch?v=qqzMFKGgzDw" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=qqzMFKGgzDw</a>

50+ Music"America" is a song performed by <a href="https://mastodon.online/tags/American" class="mention hashtag" rel="nofollow noopener" target="_blank">#American</a> music duo <a href="https://mastodon.online/tags/SimonAndGarfunkel" class="mention hashtag" rel="nofollow noopener" target="_blank">#SimonAndGarfunkel</a>, which they included on their fourth studio album, <a href="https://mastodon.online/tags/Bookends" class="mention hashtag" rel="nofollow noopener" target="_blank">#Bookends</a>, in 1968. It was produced by the duo and <a href="https://mastodon.online/tags/RoyHalee" class="mention hashtag" rel="nofollow noopener" target="_blank">#RoyHalee</a>. The song was later issued as the <a href="https://mastodon.online/tags/Bside" class="mention hashtag" rel="nofollow noopener" target="_blank">#Bside</a> of the single "<a href="https://mastodon.online/tags/ForEmilyWheneverIMayFindHer" class="mention hashtag" rel="nofollow noopener" target="_blank">#ForEmilyWheneverIMayFindHer</a> (live version)" in 1972 to promote the release of the compilation album <a href="https://mastodon.online/tags/SimonAndGarfunkelsGreatestHits" class="mention hashtag" rel="nofollow noopener" target="_blank">#SimonAndGarfunkelsGreatestHits</a>. After peaking in the charts in July 1972, the song was switched to the <a href="https://mastodon.online/tags/Aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#Aside</a> of the single. <a href="https://www.youtube.com/watch?v=sq8GTdLScLk" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=sq8GTdLScLk</a>

50+ Music"Incense and Peppermints" is a song by the Los Angeles–based <a href="https://mastodon.online/tags/psychedelicRock" class="mention hashtag" rel="nofollow noopener" target="_blank">#psychedelicRock</a> band <a href="https://mastodon.online/tags/StrawberryAlarmClock" class="mention hashtag" rel="nofollow noopener" target="_blank">#StrawberryAlarmClock</a>. The song is officially credited as having been written by <a href="https://mastodon.online/tags/JohnSCarter" class="mention hashtag" rel="nofollow noopener" target="_blank">#JohnSCarter</a> and Tim Gilbert, although it was based on an <a href="https://mastodon.online/tags/instrumental" class="mention hashtag" rel="nofollow noopener" target="_blank">#instrumental</a> idea by band members <a href="https://mastodon.online/tags/MarkWeitz" class="mention hashtag" rel="nofollow noopener" target="_blank">#MarkWeitz</a> and <a href="https://mastodon.online/tags/EdKing" class="mention hashtag" rel="nofollow noopener" target="_blank">#EdKing</a>. It was released as the <a href="https://mastodon.online/tags/Aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#Aside</a> of a <a href="https://mastodon.online/tags/single" class="mention hashtag" rel="nofollow noopener" target="_blank">#single</a> in May 1967 by <a href="https://mastodon.online/tags/UniRecords" class="mention hashtag" rel="nofollow noopener" target="_blank">#UniRecords</a> and reached the number one position on the Billboard Hot 100. <a href="https://youtu.be/yRhaWvavjy8" rel="nofollow noopener" translate="no" target="_blank">https://youtu.be/yRhaWvavjy8</a>

PSiReN-X :verified_paw:<a href="https://psiren.eu/tags/Oooooh" class="mention hashtag" rel="nofollow noopener" target="_blank">#Oooooh</a>... What did you do to <a href="https://psiren.eu/tags/UpsetKirstieAlley" class="mention hashtag" rel="nofollow noopener" target="_blank">#UpsetKirstieAlley</a>...? <a href="https://psiren.eu/tags/Aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#Aside</a> from <a href="https://psiren.eu/tags/Spelling" class="mention hashtag" rel="nofollow noopener" target="_blank">#Spelling</a> "her" <a href="https://psiren.eu/tags/Name" class="mention hashtag" rel="nofollow noopener" target="_blank">#Name</a>... <a href="https://psiren.eu/tags/Wrong" class="mention hashtag" rel="nofollow noopener" target="_blank">#Wrong</a>...🧙⚔️🤖:wolfparty:🤖⚔️🧙 | :fediverse:🦹:loading:🦄:loading:🦹:fediverse:

50+ Music"Can't Buy Me Love" is a song by the English rock band <a href="https://mastodon.online/tags/theBeatles" class="mention hashtag" rel="nofollow noopener" target="_blank">#theBeatles</a> that was released in March 1964 as the <a href="https://mastodon.online/tags/Aside" class="mention hashtag" rel="nofollow noopener" target="_blank">#Aside</a> of their sixth single. It was written by <a href="https://mastodon.online/tags/PaulMcCartney" class="mention hashtag" rel="nofollow noopener" target="_blank">#PaulMcCartney</a> and credited to the <a href="https://mastodon.online/tags/LennonMcCartney" class="mention hashtag" rel="nofollow noopener" target="_blank">#LennonMcCartney</a> partnership. The song was included on the group's album <a href="https://mastodon.online/tags/AHardDaysNight" class="mention hashtag" rel="nofollow noopener" target="_blank">#AHardDaysNight</a> and was featured in a scene in <a href="https://mastodon.online/tags/RichardLester" class="mention hashtag" rel="nofollow noopener" target="_blank">#RichardLester</a>'s film of the same title. The single topped charts in the United Kingdom, the United States, Canada, Australia, Ireland, New Zealand, South Africa. <a href="https://youtu.be/srwxJUXPHvE" rel="nofollow noopener" translate="no" target="_blank">https://youtu.be/srwxJUXPHvE</a>

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