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WerkstattGeschichte<p>Heute vor 210 Jahren wurde Franz <a href="https://openbiblio.social/tags/Stollwerck" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Stollwerck</span></a> geboren. Aus seiner 1839 in <a href="https://openbiblio.social/tags/K%C3%B6ln" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Köln</span></a> eröffneten Bäckerei erwuchs ein globales <a href="https://openbiblio.social/tags/Schokolade" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Schokolade</span></a>​nimperium. Die Bildsprache, die diesen Aufstieg begleitete, untersucht:<br>▶ Angelika Epple, Das Auge schmeckt Stollwerck. Uniformierung der Bilderwelt und kulturelle Differenzierung von Vorstellungsbildern in Zeiten des <a href="https://openbiblio.social/tags/Imperialismus" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Imperialismus</span></a> und der <a href="https://openbiblio.social/tags/Globalisierung" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Globalisierung</span></a>, <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WerkstattGeschichte</span></a> 45/2007, <a href="https://werkstattgeschichte.de/abstracts/nr-45-angelika-epple/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/abstrac</span><span class="invisible">ts/nr-45-angelika-epple/</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>histodons</span></a></span></p><p><a href="https://openbiblio.social/tags/histodons" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>histodons</span></a> <a href="https://openbiblio.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a></p>
WerkstattGeschichte<p>Am Europäischen Tag der <a href="https://openbiblio.social/tags/Restaurierung" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Restaurierung</span></a> empfehlen wir den kurzen Essay von Gertrud Koch, die sich am Beispiel von "Babi Yar. Context" (2021) mit der digitalen Restaurierung stummer historischer Filmaufnahmen auseinandersetzt:<br>▶ Mediale Gespenster: Zu Sergei Loznitsas Sound-Animationen filmischer Archivmaterialien, <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WerkstattGeschichte</span></a> 87/2023, <a href="https://werkstattgeschichte.de/alle_ausgaben/reizende-gerueche/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/reizende-gerueche/</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>histodons</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>historikerinnen</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/filmeundserien" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>filmeundserien</span></a></span></p><p><a href="https://openbiblio.social/tags/histodons" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>histodons</span></a> <a href="https://openbiblio.social/tags/SergeiLoznitsa" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>SergeiLoznitsa</span></a> <a href="https://openbiblio.social/tags/Film" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Film</span></a> <a href="https://openbiblio.social/tags/restoration" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>restoration</span></a> <a href="https://openbiblio.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a> <a href="https://openbiblio.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>FilmHistory</span></a></p>
WerkstattGeschichte<p>Zum heutigen <a href="https://openbiblio.social/tags/Welttag" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Welttag</span></a> gegen die <a href="https://openbiblio.social/tags/Todesstrafe" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Todesstrafe</span></a> ein Hinweis auf einen Artikel aus unserer Rubrik <a href="https://openbiblio.social/tags/Filmkritik" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Filmkritik</span></a>:<br>▶ Ulrike Weckel, Mit Mitteln des Spielfilms gegen die Todesstrafe. I Want to Live! (1958), in: <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WerkstattGeschichte</span></a> 85/2022, <a href="https://werkstattgeschichte.de/alle_ausgaben/muell/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/muell/</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>histodons</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>historikerinnen</span></a></span> <br><span class="h-card" translate="no"><a href="https://a.gup.pe/u/politicalscience" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>politicalscience</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/filmeundserien" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>filmeundserien</span></a></span></p><p><a href="https://openbiblio.social/tags/Film" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Film</span></a> <a href="https://openbiblio.social/tags/Filmgeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Filmgeschichte</span></a> <a href="https://openbiblio.social/tags/DeathPenalty" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DeathPenalty</span></a> <a href="https://openbiblio.social/tags/CapitalPunishment" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CapitalPunishment</span></a> <a href="https://openbiblio.social/tags/movies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>movies</span></a> <a href="https://openbiblio.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>FilmHistory</span></a> <a href="https://openbiblio.social/tags/Cinemastodon" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Cinemastodon</span></a> <a href="https://openbiblio.social/tags/AmericanHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AmericanHistory</span></a> <a href="https://openbiblio.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a> <a href="https://openbiblio.social/tags/SusanHayward" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>SusanHayward</span></a></p>
WerkstattGeschichte<p>Zum internationalen <a href="https://openbiblio.social/tags/TagDerFotografie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>TagDerFotografie</span></a> erinnern wir heute an das <a href="https://openbiblio.social/tags/Interview" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Interview</span></a>, das Katja Jana für uns mit Olaf &amp; Hermann vom Berliner <a href="https://openbiblio.social/tags/Umbruch" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Umbruch</span></a> <a href="https://openbiblio.social/tags/Bildarchiv" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Bildarchiv</span></a> e.V. (<span class="h-card" translate="no"><a href="https://mastodon.trueten.de/@umbruchbildarchiv" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>umbruchbildarchiv</span></a></span>) geführt hat: <br>▶ »Gegen die Unterbelichtung der linken Bewegung«, in: <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WerkstattGeschichte</span></a> 75/2018, <a href="https://werkstattgeschichte.de/alle_ausgaben/in-bewegung" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/in-bewegung</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>histodons</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>historikerinnen</span></a></span></p><p><a href="https://openbiblio.social/tags/WeltFotoTag" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WeltFotoTag</span></a> <a href="https://openbiblio.social/tags/WorldPhotoDay" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WorldPhotoDay</span></a> <a href="https://openbiblio.social/tags/Photography" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Photography</span></a> <a href="https://openbiblio.social/tags/Fotografie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Fotografie</span></a> <a href="https://openbiblio.social/tags/Foto" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Foto</span></a> <a href="https://openbiblio.social/tags/Photo" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Photo</span></a> <a href="https://openbiblio.social/tags/Fotogeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Fotogeschichte</span></a> <a href="https://openbiblio.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a> <a href="https://openbiblio.social/tags/PhotoHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>PhotoHistory</span></a> <a href="https://openbiblio.social/tags/archives" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>archives</span></a> <a href="https://openbiblio.social/tags/archives" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>archives</span></a> <a href="https://openbiblio.social/tags/histodons" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>histodons</span></a></p>
WerkstattGeschichte<p>Heute vor 85 Jahren feierte die <a href="https://openbiblio.social/tags/HeinzR%C3%BChmann" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>HeinzRühmann</span></a>-<a href="https://openbiblio.social/tags/Kom%C3%B6die" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Komödie</span></a> "Das Paradies der Junggesellen" Premiere, von der 1959 das Remake "Schlag auf Schlag" mit <a href="https://openbiblio.social/tags/PeterAlexander" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>PeterAlexander</span></a> ins Kino kam.<br>Stefanie Mathilde Frank hat für <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WerkstattGeschichte</span></a> 65/2015 Geschlechterrollen und Musik der beiden Filme miteinander verglichen:<br>▶ <a href="https://werkstattgeschichte.de/alle_ausgaben/disability" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/disability</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>histodons</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>historikerinnen</span></a></span></p><p><a href="https://openbiblio.social/tags/Film" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Film</span></a> <a href="https://openbiblio.social/tags/movies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>movies</span></a> <a href="https://openbiblio.social/tags/Kino" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Kino</span></a> <a href="https://openbiblio.social/tags/Cinema" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Cinema</span></a> <a href="https://openbiblio.social/tags/Filmgeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Filmgeschichte</span></a> <a href="https://openbiblio.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>FilmHistory</span></a> <a href="https://openbiblio.social/tags/Cinemastodon" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Cinemastodon</span></a> <a href="https://openbiblio.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a> <a href="https://openbiblio.social/tags/GenderHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>GenderHistory</span></a> <a href="https://openbiblio.social/tags/FilmStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>FilmStudies</span></a></p>
WerkstattGeschichte<p>Nun komplett zum download verfügbar: <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WerkstattGeschichte</span></a> 87/2023</p><p>🧵 2/3</p><p>Im Mittelteil u.a.:</p><p>▶️ Frauke Steinhäuser (<span class="h-card" translate="no"><a href="https://norden.social/@FraukeSt" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>FraukeSt</span></a></span>) über 2 als "asozial" im KZ inhaftierte queere Prostituierte</p><p>▶️ Marc Buggeln über die Haitiansische Revolution in postkolonialen französischen Debatten</p><p>▶️ Gertrud Koch in der <a href="https://openbiblio.social/tags/Filmkritik" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Filmkritik</span></a> über Sergei Loznitsas Sound-Animationen filmischer Archivmaterialien</p><p><a href="https://werkstattgeschichte.de/alle_ausgaben/reizende-gerueche" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/reizende-gerueche</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>histodons</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>historikerinnen</span></a></span> </p><p><a href="https://openbiblio.social/tags/GenderHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>GenderHistory</span></a> <a href="https://openbiblio.social/tags/HaitianRevolution" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>HaitianRevolution</span></a> <a href="https://openbiblio.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a></p>
WerkstattGeschichte<p>Heute vor 65 Jahren feierte die <a href="https://openbiblio.social/tags/Kom%C3%B6die" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Komödie</span></a> "Schlag auf Schlag" mit <a href="https://openbiblio.social/tags/PeterAlexander" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>PeterAlexander</span></a> Premiere, ein Remake des 20 Jahre älteren <a href="https://openbiblio.social/tags/HeinzR%C3%BChmann" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>HeinzRühmann</span></a>-Films "Das Paradies der Junggesellen" (1939).</p><p>Stefanie Mathilde Frank hat für <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WerkstattGeschichte</span></a> 65/2015 die Geschlechterrollen und die Musik in den beiden Filmen miteinander verglichen:<br>▶ <a href="https://werkstattgeschichte.de/alle_ausgaben/disability" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/disability</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>histodons</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>historikerinnen</span></a></span></p><p><a href="https://openbiblio.social/tags/Film" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Film</span></a> <a href="https://openbiblio.social/tags/movies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>movies</span></a> <a href="https://openbiblio.social/tags/Kino" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Kino</span></a> <a href="https://openbiblio.social/tags/Cinema" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Cinema</span></a> <a href="https://openbiblio.social/tags/Filmgeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Filmgeschichte</span></a> <a href="https://openbiblio.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>FilmHistory</span></a> <a href="https://openbiblio.social/tags/Cinemastodon" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Cinemastodon</span></a> <a href="https://openbiblio.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a> <a href="https://openbiblio.social/tags/GenderStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>GenderStudies</span></a> <a href="https://openbiblio.social/tags/FilmStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>FilmStudies</span></a></p>
WerkstattGeschichte<p>Heute vor 40 Jahren verstarb der Regisseur Wolfgang Staudte.<br>Einen seiner (aus Gründen) weniger erfolgreichen Filme, der vor 60 Jahren Premiere hatte, hat sich Ulrike Weckel für unsere <a href="https://openbiblio.social/tags/Filmkritik" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Filmkritik</span></a> angesehen:<br>▶️ Herrenpartie. Eine bemerkenswerte Satire auf deutsche <a href="https://openbiblio.social/tags/Vergangenheitsbew%C3%A4ltigung" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Vergangenheitsbewältigung</span></a>, die nur wenige zu sehen bekamen, in: <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WerkstattGeschichte</span></a> 62/2013, <a href="https://werkstattgeschichte.de/alle_ausgaben/museum-und-zeitzeugenschaft" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/museum-und-zeitzeugenschaft</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>histodons</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>historikerinnen</span></a></span></p><p><a href="https://openbiblio.social/tags/histodons" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>histodons</span></a> <a href="https://openbiblio.social/tags/Erinnerungskultur" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Erinnerungskultur</span></a> <a href="https://openbiblio.social/tags/Filmgeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Filmgeschichte</span></a> <a href="https://openbiblio.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>FilmHistory</span></a> <a href="https://openbiblio.social/tags/Cinemastodon" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Cinemastodon</span></a> <a href="https://openbiblio.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a></p>
oatmeal<p>Child refugees at an improvised school (1948).</p><p><a href="https://kolektiva.social/tags/nakba" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>nakba</span></a> <br><a href="https://kolektiva.social/tags/israel" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>israel</span></a> <br><a href="https://kolektiva.social/tags/palestine" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>palestine</span></a> <br><span class="h-card" translate="no"><a href="https://a.gup.pe/u/palestine" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>palestine</span></a></span> <br><span class="h-card" translate="no"><a href="https://a.gup.pe/u/israel" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>israel</span></a></span> <br><a href="https://kolektiva.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a></p>
WerkstattGeschichte<p>Zum Welttag des audiovisuellen Erbes ein Hinweis auf <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WerkstattGeschichte</span></a> 69/2015 "antikoloniale filme", hg. v. Jürgen Dinkel &amp; Dirk van Laak, mit einem Literaturbericht (Dinkel) &amp; Artikeln v. Johannes Pause (Battaglia di Algeri, 1966), <span class="h-card" translate="no"><a href="https://fediscience.org/@kainowak" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>kainowak</span></a></span> (Africa Addio, 1966) &amp; <span class="h-card" translate="no"><a href="https://mastodon.social/@chrkalter" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>chrkalter</span></a></span>/Inga Kreuder/Ulrike Peters (portugiesische <a href="https://openbiblio.social/tags/Dekolonisierung" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Dekolonisierung</span></a>):<br><a href="https://werkstattgeschichte.de/alle_ausgaben/antikoloniale-filme" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/antikoloniale-filme</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>histodons</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>historikerinnen</span></a></span><br><a href="https://openbiblio.social/tags/histodons" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>histodons</span></a> <a href="https://openbiblio.social/tags/Film" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Film</span></a> <a href="https://openbiblio.social/tags/movies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>movies</span></a> <a href="https://openbiblio.social/tags/Filmgeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Filmgeschichte</span></a> <a href="https://openbiblio.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>FilmHistory</span></a> <a href="https://openbiblio.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a> <a href="https://openbiblio.social/tags/FilmStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>FilmStudies</span></a> <a href="https://openbiblio.social/tags/AudiovisualHeritage" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AudiovisualHeritage</span></a></p>
WerkstattGeschichte<p>Heute vor 5 Jahren kam "<a href="https://openbiblio.social/tags/Gundermann" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Gundermann</span></a>" ins <a href="https://openbiblio.social/tags/Kino" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Kino</span></a>!<br>Dazu ein Lesetipp aus der Rubrik <a href="https://openbiblio.social/tags/Filmkritik" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Filmkritik</span></a>:<br>▶️ Andreas Kötzing, Gundermann als Versöhnungsfilm oder: Wer einen Igel rettet, kann kein schlechter Mensch sein, <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WerkstattGeschichte</span></a> 82/2020, <a href="https://werkstattgeschichte.de/alle_ausgaben/differenzen-einschreiben" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/differenzen-einschreiben</span></a></p><p>Kötzing zeigt darin, wie der <a href="https://openbiblio.social/tags/Film" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Film</span></a> den Liedermacher, Baggerfahrer &amp; <a href="https://openbiblio.social/tags/Stasi" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Stasi</span></a>-IM als ambivalente Figur vorstellt und damit verschiedene <a href="https://openbiblio.social/tags/DDR" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DDR</span></a>-Erinnerungen bedient.</p><p><a href="https://openbiblio.social/tags/movies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>movies</span></a> <a href="https://openbiblio.social/tags/Cinema" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Cinema</span></a> <a href="https://openbiblio.social/tags/Cinemastodon" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Cinemastodon</span></a> <a href="https://openbiblio.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a> <a href="https://openbiblio.social/tags/GDR" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>GDR</span></a> <a href="https://openbiblio.social/tags/FilmStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>FilmStudies</span></a> <a href="https://openbiblio.social/tags/MediaStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MediaStudies</span></a></p>
Georg Wamhof<p>Ernesto "Che" Guevara wäre heute 95 Jahre alt geworden. Wir erinnern aus diesem Anlass an einen Beitrag aus unserer <a href="https://mstdn.social/tags/Filmkritik" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Filmkritik</span></a>-Rubrik:<br>▶ Lena Karber, Ein menschlicher Held? Che Guevara in Steven Soderberghs Biopic von 2008, <a href="https://mstdn.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WerkstattGeschichte</span></a> 80/2019, <a href="https://werkstattgeschichte.de/alle_ausgaben/politische-gefangene" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/politische-gefangene</span></a></p><p><span class="h-card"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>histodons</span></a></span> <span class="h-card"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>historikerinnen</span></a></span></p><p><a href="https://mstdn.social/tags/CheGuevara" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CheGuevara</span></a> <a href="https://mstdn.social/tags/Kuba" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Kuba</span></a> <a href="https://mstdn.social/tags/Biopic" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Biopic</span></a> <a href="https://mstdn.social/tags/StevenSoderbergh" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>StevenSoderbergh</span></a> <a href="https://mstdn.social/tags/Film" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Film</span></a> <a href="https://mstdn.social/tags/movies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>movies</span></a> <a href="https://mstdn.social/tags/Kino" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Kino</span></a> <a href="https://mstdn.social/tags/Cinema" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Cinema</span></a> <a href="https://mstdn.social/tags/Filmgeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Filmgeschichte</span></a> <a href="https://mstdn.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>FilmHistory</span></a> <a href="https://mstdn.social/tags/Cinemastodon" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Cinemastodon</span></a> <a href="https://mstdn.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a> <a href="https://mstdn.social/tags/20thCentury" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>20thCentury</span></a><br><a href="https://mstdn.social/tags/FilmStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>FilmStudies</span></a> <a href="https://mstdn.social/tags/MediaStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MediaStudies</span></a> <a href="https://mstdn.social/tags/Mediengeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Mediengeschichte</span></a></p>
Georg Wamhof<p>Wann und wo entstanden die <a href="https://mstdn.social/tags/Fotos" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Fotos</span></a>?<br>Eine 19-teilige Bilderserie aus dem Bezirk <a href="https://mstdn.social/tags/Halle" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Halle</span></a> zeigt verschiedene Straßenzüge mit Pkw und Häusern. Das Stasi-Unterlagen-Archiv bittet um Hilfe dabei, Ort und Aufnahmedatum zu ermitteln.</p><p><a href="https://mstdn.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a> <a href="https://mstdn.social/tags/DDR" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DDR</span></a> <a href="https://mstdn.social/tags/Stasi" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Stasi</span></a> <a href="https://mstdn.social/tags/MfS" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MfS</span></a> <a href="https://mstdn.social/tags/Fotogeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Fotogeschichte</span></a> <a href="https://mstdn.social/tags/archiv" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>archiv</span></a> <a href="https://mstdn.social/tags/histodons" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>histodons</span></a> <a href="https://mstdn.social/tags/Stasiakten" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Stasiakten</span></a><br><span class="h-card"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>histodons</span></a></span> <span class="h-card"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>historikerinnen</span></a></span> </p><p><a href="https://www.stasi-unterlagen-archiv.de/de/archiv/spurensuche/strassenzuege-in-verschiedenen-orten/" rel="nofollow noopener" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">stasi-unterlagen-archiv.de/de/</span><span class="invisible">archiv/spurensuche/strassenzuege-in-verschiedenen-orten/</span></a></p>
WerkstattGeschichte<p>Zum <a href="https://openbiblio.social/tags/Jahrestag" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Jahrestag</span></a> der <a href="https://openbiblio.social/tags/Befreiung" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Befreiung</span></a> des <a href="https://openbiblio.social/tags/Konzentrationslager" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Konzentrationslager</span></a>​s <a href="https://openbiblio.social/tags/Buchenwald" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Buchenwald</span></a> ein Hinweis auf die kritische Auseinandersetzung mit der TV-Adaption des Romans von Bruno Apitz von 2015:</p><p>Axel Doßmann, Nackt unter Wölfen, eine Neuverfilmung. Über die Grenzen emotionaler Erkenntnis und historischer Gerechtigkeit im öffentlich-rechtlichen Fernsehen, in: <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WerkstattGeschichte</span></a> 72/2016, <a href="https://werkstattgeschichte.de/alle_ausgaben/glauben-machen/" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/glauben-machen/</span></a></p><p><span class="h-card"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>histodons</span></a></span> <span class="h-card"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>historikerinnen</span></a></span> </p><p><a href="https://openbiblio.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>FilmHistory</span></a> <a href="https://openbiblio.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a> <a href="https://openbiblio.social/tags/histodons" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>histodons</span></a> <a href="https://openbiblio.social/tags/Filmgeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Filmgeschichte</span></a> <a href="https://openbiblio.social/tags/Zeitgeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Zeitgeschichte</span></a></p>
Georg Wamhof<p>Flashes of Memory. Fotografie im Holocaust<br><a href="https://mstdn.social/tags/Ausstellung" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Ausstellung</span></a> der <a href="https://mstdn.social/tags/Holocaust" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Holocaust</span></a> <a href="https://mstdn.social/tags/Gedenkst%C3%A4tte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Gedenkstätte</span></a> <a href="https://mstdn.social/tags/YadVashem" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>YadVashem</span></a> in Kooperation mit der <a href="https://mstdn.social/tags/Kunstbibliothek" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Kunstbibliothek</span></a> im <a href="https://mstdn.social/tags/Museum" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Museum</span></a> für <a href="https://mstdn.social/tags/Fotografie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Fotografie</span></a>, <a href="https://mstdn.social/tags/Berlin" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Berlin</span></a>, 24.3. bis 20.8.2023</p><p><span class="h-card"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>histodons</span></a></span> <span class="h-card"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>historikerinnen</span></a></span> <br><a href="https://mstdn.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a> <a href="https://mstdn.social/tags/photograhy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>photograhy</span></a> <a href="https://mstdn.social/tags/shoah" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>shoah</span></a> </p><p><a href="https://www.smb.museum/ausstellungen/detail/flashes-of-memory/" rel="nofollow noopener" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">smb.museum/ausstellungen/detai</span><span class="invisible">l/flashes-of-memory/</span></a></p>
FID Osteuropa<p>Egal ob sie historische Plakate, Fotografien oder Postkarten aus dem östlichen Europa suchen - wir kennen das passende Angebot. Auf <a href="https://openbiblio.social/tags/osmikon" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>osmikon</span></a> haben wir empfehlenswerte digitale Bildarchive und -datenbanken für Sie zusammengestellt:<br><a href="https://osmikon.de/materialien/bilder" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="">osmikon.de/materialien/bilder</span><span class="invisible"></span></a><br><a href="https://openbiblio.social/tags/Osteuropa" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Osteuropa</span></a> <a href="https://openbiblio.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a></p>
sheepchase :v_bi: :v_gqueer:<p>‘Wearing gayness on their sleeves’: 60 years of <a href="https://tech.lgbt/tags/LGBTQ" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>LGBTQ</span></a>+ T-shirts</p><p><a href="https://tech.lgbt/tags/gay" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>gay</span></a> <a href="https://tech.lgbt/tags/lesbian" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>lesbian</span></a> <a href="https://tech.lgbt/tags/bisexual" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>bisexual</span></a> <a href="https://tech.lgbt/tags/trans" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>trans</span></a> <a href="https://tech.lgbt/tags/tshirts" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>tshirts</span></a> <a href="https://tech.lgbt/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a></p><p><a href="https://www.theguardian.com/lifeandstyle/2023/mar/29/lgbtq-gay-t-shirt-history-photos" rel="nofollow noopener" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">theguardian.com/lifeandstyle/2</span><span class="invisible">023/mar/29/lgbtq-gay-t-shirt-history-photos</span></a></p>
WerkstattGeschichte<p>Frisch gedruckt: <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WerkstattGeschichte</span></a> 87/2023, im Mittelteil u.a.:</p><p>Frauke Steinhäuser (<span class="h-card"><a href="https://norden.social/@FraukeSt" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>FraukeSt</span></a></span>) über 2 als "asozial" im KZ inhaftierte queere Prostituierte</p><p>Marc Buggeln (<a href="https://twitter.com/@buggelnmarc" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="">twitter.com/@buggelnmarc</span><span class="invisible"></span></a>) über die Haitiansische Revolution in frz. Debatten</p><p>Gertrud Koch in der <a href="https://openbiblio.social/tags/Filmkritik" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Filmkritik</span></a> über Sergei Loznitsas Sound-Animationen filmischer Archivmaterialien</p><p><a href="https://werkstattgeschichte.de/alle_ausgaben/reizende-gerueche/" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/reizende-gerueche/</span></a></p><p><span class="h-card"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>histodons</span></a></span> <span class="h-card"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>historikerinnen</span></a></span></p><p><a href="https://openbiblio.social/tags/GenderHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>GenderHistory</span></a> <a href="https://openbiblio.social/tags/HaitianRevolution" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>HaitianRevolution</span></a> <a href="https://openbiblio.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a></p>
🤘 The Metal Dog 🤘<p><a href="https://mastodon.social/tags/TheMetalDogArticleList" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>TheMetalDogArticleList</span></a><br><a href="https://mastodon.social/tags/MetalInjection" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MetalInjection</span></a><br>CHILDREN OF BODOM Walks You Through Their New Photo Exhibit<br>A guided tour by the men themselves.</p><p><a href="https://metalinjection.net/video/children-of-bodom-walks-you-through-their-new-photo-exhibit" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="ellipsis">metalinjection.net/video/child</span><span class="invisible">ren-of-bodom-walks-you-through-their-new-photo-exhibit</span></a></p><p> <a href="https://mastodon.social/tags/ChildrenOfBodom" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ChildrenOfBodom</span></a> <a href="https://mastodon.social/tags/COBPhotoExhibit" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>COBPhotoExhibit</span></a> <a href="https://mastodon.social/tags/ExhibitionTour" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ExhibitionTour</span></a> <a href="https://mastodon.social/tags/COBBandHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>COBBandHistory</span></a> <a href="https://mastodon.social/tags/FinnishMetalScene" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>FinnishMetalScene</span></a> <a href="https://mastodon.social/tags/MetalheadsLegacy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MetalheadsLegacy</span></a> <a href="https://mastodon.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a></p>
José Luis Benavides<p>Luis Valdez talks about Emmon Clarke's photographs at the Bradley Center showing El Teatro Campesino performers in front of Tortillería La Azteca in Delano—the first headquarters of Teatro, located on the corner of Seventh and Ellington in Delano's westside. César Chávez agreed to let the performers have a separate office as they were also active in the farmworker movement. <a href="https://newsie.social/tags/UFW" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>UFW</span></a> <a href="https://newsie.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualHistory</span></a> <a href="https://newsie.social/tags/ChicanoHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ChicanoHistory</span></a> <a href="https://newsie.social/tags/Teatro" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Teatro</span></a><br><a href="https://youtu.be/Vu_dj7cWbxk" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="">youtu.be/Vu_dj7cWbxk</span><span class="invisible"></span></a></p>