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#ircam

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Chang Terhune<p>Please Baby Jesus keep the Ircam sale going until Mid May so I can get TS2, use it once, cry because it's not a Xenakis breakbeat machine then go watch Inspector Gadget reruns. <a href="https://mastodon.social/tags/ircam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ircam</span></a> <a href="https://mastodon.social/tags/plugins" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>plugins</span></a></p>
Robert Dresden<p><a href="https://mastodon.gamedev.place/tags/game" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>game</span></a> <a href="https://mastodon.gamedev.place/tags/gamedev" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>gamedev</span></a> <a href="https://mastodon.gamedev.place/tags/ircam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ircam</span></a> <a href="https://mastodon.gamedev.place/tags/infrared" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>infrared</span></a> <a href="https://mastodon.gamedev.place/tags/science" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>science</span></a> <a href="https://mastodon.gamedev.place/tags/biology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>biology</span></a></p><p>Hey. I am pondering breath as a form of game Input.<br>I was under the impression that breath would be as warm as my body so visible in the IR spectrum<br>But... It isn't. <br>What's going on? :D is my cam to low-level?? Is there a flaw in my reasoning?</p>
gavcloud<p>Humoresques For Autoregressive Compute </p><p>:bandcamp: :cc_cc: :cc_sa: :cc_nc_us: </p><p>Music composed by Realtime Audio Variational autoEncoder trained on 10.41 hours of recordings of original music for piano</p><p><a href="https://gav.cloud/album/humoresques-for-autoregressive-compute" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">gav.cloud/album/humoresques-fo</span><span class="invisible">r-autoregressive-compute</span></a></p><p><a href="https://sonomu.club/tags/machinelearning" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>machinelearning</span></a> <a href="https://sonomu.club/tags/piano" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>piano</span></a> <a href="https://sonomu.club/tags/composer" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>composer</span></a> <a href="https://sonomu.club/tags/maxmsp" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>maxmsp</span></a> <a href="https://sonomu.club/tags/torchscript" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>torchscript</span></a> <a href="https://sonomu.club/tags/rave" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>rave</span></a> <a href="https://sonomu.club/tags/ircam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ircam</span></a></p>
in_sympathy<p>Hi <a href="https://mastodon.social/tags/fediverse" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>fediverse</span></a> 👋🏻 I have a question: I’m picking up a thermal camera and can’t really decide between two models: Topdon TC004 or Uni-T UTi260B? Specs seem close and I need the one that has a clearer image for working with small smd components and a better software updates/support. What would you recommend? <a href="https://mastodon.social/tags/unit" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>unit</span></a> <a href="https://mastodon.social/tags/topdon" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>topdon</span></a> <a href="https://mastodon.social/tags/ircam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ircam</span></a> <a href="https://mastodon.social/tags/ircamera" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ircamera</span></a> <a href="https://mastodon.social/tags/electronics" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>electronics</span></a> <a href="https://mastodon.social/tags/repair" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>repair</span></a> <a href="https://mastodon.social/tags/electronicsrepair" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>electronicsrepair</span></a> <a href="https://mastodon.social/tags/electronicsdiy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>electronicsdiy</span></a> <a href="https://mastodon.social/tags/ifixit" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ifixit</span></a></p>
Léo Varnet<p>Two upcoming workshops in <a href="https://qoto.org/tags/acoustics" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>acoustics</span></a> and <a href="https://qoto.org/tags/audition" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>audition</span></a> in Paris. Both free of charge (or very cheap) and both in late November:</p><ul> <li>Auditory Development Workshop organized by Axelle Calcus and Laurianne Cabrera <a href="https://audidev.sciencesconf.org/" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="">audidev.sciencesconf.org/</span><span class="invisible"></span></a> (20-21 November)</li> <li>Journées Perception Sonore co-organized by <a href="https://qoto.org/tags/SFA" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>SFA</span></a> and <a href="https://qoto.org/tags/IRCAM" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>IRCAM</span></a> <a href="https://sites.google.com/view/jps-2023/accueil?authuser=0" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="ellipsis">sites.google.com/view/jps-2023</span><span class="invisible">/accueil?authuser=0</span></a> (21-22 November)<br><span class="h-card"><a href="https://a.gup.pe/u/psycholinguistics" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>psycholinguistics</span></a></span> <a href="https://qoto.org/tags/psychoacoustics" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>psychoacoustics</span></a> <a href="https://qoto.org/tags/psycholinguistics" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>psycholinguistics</span></a> <a href="https://qoto.org/tags/developmental" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>developmental</span></a> <span class="h-card"><a href="https://a.gup.pe/u/psychology" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>psychology</span></a></span></li></ul>
Léo Varnet<p>Avis à la communauté <span class="h-card"><a href="https://a.gup.pe/u/psycholinguistics" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>psycholinguistics</span></a></span> <a href="https://qoto.org/tags/psychoacoustique" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>psychoacoustique</span></a> <a href="https://qoto.org/tags/audition" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>audition</span></a> : les 21-22 novembre auront lieu à l’<a href="https://qoto.org/tags/IRCAM" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>IRCAM</span></a> les Journées Perception Sonore <a href="https://qoto.org/tags/JPS2023" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>JPS2023</span></a> (co-organisées par la Société Française d’Acoustique <a href="https://qoto.org/tags/SFA" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>SFA</span></a>). Inscriptions gratuites pour les étudiant.e.s en master et doctorant.e.s. <a href="https://sites.google.com/view/jps-2023/accueil?authuser=0" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="ellipsis">sites.google.com/view/jps-2023</span><span class="invisible">/accueil?authuser=0</span></a></p>
herrkaschke<p>ASAP | Ircam Forum </p><p>AudioSculpt As Plug-ins - A set of audio plug-ins that allows transforming sound in a creative way. The Spectral Remix and the Spectral Clipping plug-ins are part of the Ircam Forum free membership. <a href="https://forum.ircam.fr/projects/detail/asap/" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="ellipsis">forum.ircam.fr/projects/detail</span><span class="invisible">/asap/</span></a></p><p><a href="https://mastodon.art/tags/sounddesign" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>sounddesign</span></a> <a href="https://mastodon.art/tags/ircam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ircam</span></a> <a href="https://mastodon.art/tags/plugin" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>plugin</span></a></p>
Ralph Brooker<p><span class="h-card"><a href="https://mastodon.online/@DismalManorGang" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>DismalManorGang</span></a></span> Works for me. I went through the stage that Keith Jarrett is now in: acoustic only. Catch up Keith!! I’ve gone from <a href="https://mstdn.social/tags/Nordheim" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Nordheim</span></a> to <a href="https://mstdn.social/tags/IRCAM" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>IRCAM</span></a>. There are players like Lee Konitz and Charlie Haden. It’d be criminal for them to go electronic. Their sounds are transcendent. But even Lee Konitz used a Varitone pickup on a Selmer Mk.6. A short lever experiment. I enjoy Denny Zeitlin.</p>
Ralph Brooker<p>Oddly for someone who <a href="https://mstdn.social/tags/reads" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>reads</span></a> and <a href="https://mstdn.social/tags/writes" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>writes</span></a> nigh on incessantly I can’t seem to bear the absence of music. I don’t listen to music when I <a href="https://mstdn.social/tags/mountainbike" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>mountainbike</span></a> or <a href="https://mstdn.social/tags/hillwalk" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>hillwalk</span></a>, though I appreciate my walking partner’s chat. Without-music isn’t necessarily a silent state. I’d hoped electronic works (from <a href="https://mstdn.social/tags/Arneheim" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Arneheim</span></a> to <a href="https://mstdn.social/tags/Ircam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Ircam</span></a>) might help. Now they’ve become ends in themselves! And this is really what it all comes down to. Reading and writing (though perhaps not equivalent) are (very often) ends in themselves.</p>
Ali N. Askin<p><span class="h-card"><a href="https://musicians.today/@CharmingDolphins" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>CharmingDolphins</span></a></span> Are you refering to the IRCAM pligins? AFAIK it‘s not out yet. But you can watch some videos on their wensite. <a href="https://musicians.today/tags/ircam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ircam</span></a> <a href="https://musicians.today/tags/audio" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>audio</span></a> <a href="https://musicians.today/tags/plugins" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>plugins</span></a></p>
Ali N. Askin<p>New interesting plug-ins from IRCAM coming up:<br><a href="https://forum.ircam.fr/projects/detail/asap/" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="ellipsis">forum.ircam.fr/projects/detail</span><span class="invisible">/asap/</span></a><br><a href="https://musicians.today/tags/audio" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>audio</span></a> <a href="https://musicians.today/tags/plugins" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>plugins</span></a> <a href="https://musicians.today/tags/ircam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ircam</span></a></p>
Frédéric Sarter (Peredovitch)<p>Un <a href="https://oc.todon.fr/tags/reportage" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>reportage</span></a> sur la <a href="https://oc.todon.fr/tags/cr%C3%A9ation" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>création</span></a> en 2015, par l'<a href="https://oc.todon.fr/tags/EnsembleIntercontemporain" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>EnsembleIntercontemporain</span></a> et l'<a href="https://oc.todon.fr/tags/IRCAM" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>IRCAM</span></a>, de la pièce "Le Encantadas", ce voyage sonore d'OIga <a href="https://oc.todon.fr/tags/Neuwirth" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Neuwirth</span></a> dans la lagune de <a href="https://oc.todon.fr/tags/Venise" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Venise</span></a> sous le signe de Marco Polo, Melville et Luigi Nono. Dans un <a href="https://oc.todon.fr/tags/entretien" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>entretien</span></a>, la <a href="https://oc.todon.fr/tags/compositrice" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>compositrice</span></a> éclaire notamment les sources de sa démarche, et le travail de captation et de restitution par l'IRCAM de l'espace sonore de l'église San Lorenzo est expliqué plus en détail:<br><a href="https://www.youtube.com/watch?v=yGCYC9SHc3Y" rel="nofollow noopener" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=yGCYC9SHc3</span><span class="invisible">Y</span></a><br><a href="https://oc.todon.fr/tags/contemporarymusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>contemporarymusic</span></a> <span class="h-card"><a href="https://a.gup.pe/u/womencomposers" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>womencomposers</span></a></span></p>
Frédéric Sarter (Peredovitch)<p><a href="https://oc.todon.fr/tags/Concert" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Concert</span></a> en présence de la <a href="https://oc.todon.fr/tags/compositrice" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>compositrice</span></a> à la <a href="https://oc.todon.fr/tags/Cit%C3%A9DeLaMusique" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CitéDeLaMusique</span></a>, Paris, 13/12/2022<br>Ensemble Intercontemporain, Matthias Pintscher<br><a href="https://oc.todon.fr/tags/%C3%89lectronique" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Électronique</span></a> <a href="https://oc.todon.fr/tags/IRCAM" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>IRCAM</span></a>, Équipe Espaces acoustiques et cognitifs<br>Olga <a href="https://oc.todon.fr/tags/Neuwirth" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Neuwirth</span></a>: Le Encantadas, o le avventure nel mare delle meraviglie<br>Plongée immersive et spatialisée dans un univers sonore: les musicien.ne.s, répartis en un "archipel" de cinq îlots, entourent le public, tandis que l'électronique recrée l'espace <a href="https://oc.todon.fr/tags/acoustique" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>acoustique</span></a> de la lagune de Venise...<br><a href="https://oc.todon.fr/tags/contemporarymusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>contemporarymusic</span></a></p>
Ralph Brooker<p>I used to be such an ‘<a href="https://mstdn.social/tags/acoustic" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>acoustic</span></a>’ over ‘<a href="https://mstdn.social/tags/electronic" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>electronic</span></a>’ snob, especially in <a href="https://mstdn.social/tags/jazz" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>jazz</span></a>. Trying to pin down how that changed. Two possible sources, the lingering influence of early <a href="https://mstdn.social/tags/Genesis" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Genesis</span></a>’ <a href="https://mstdn.social/tags/TonyBanks" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>TonyBanks</span></a>. But also <a href="https://mstdn.social/tags/JohnSurman" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>JohnSurman</span></a>. Latterly <a href="https://mstdn.social/tags/Ircam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Ircam</span></a>. I started off on saxes. But changed to piano. Saxophone was very difficult to sustain in the army, constant operational tours. Gave up amateur music but inherited a <a href="https://mstdn.social/tags/Technics" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Technics</span></a> synth. Appalling key action. But had so much possibility.</p>
Frédéric Sarter (Peredovitch)<p>Une autre version des "Quatre chants pour franchir le seuil" de Gérard <a href="https://oc.todon.fr/tags/Grisey" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Grisey</span></a>:<br><a href="https://www.youtube.com/watch?v=TOCSWrT4WDY" rel="nofollow noopener" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=TOCSWrT4WD</span><span class="invisible">Y</span></a><br>[Ensemble TM+, Laurent Cuniot; Raphaële Kennedy, <a href="https://oc.todon.fr/tags/soprano" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>soprano</span></a>] <br>Tous les détails sur l'oeuvre dans la base de données B.R.A.H.M.S de l'<a href="https://oc.todon.fr/tags/IRCAM" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>IRCAM</span></a>, ressource toujours précieuse pour la musique du 20e siècle à aujourd'hui:<br><a href="https://brahms.ircam.fr/fr/works/work/14136/" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="ellipsis">brahms.ircam.fr/fr/works/work/</span><span class="invisible">14136/</span></a><br><a href="https://oc.todon.fr/tags/classicalmusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>classicalmusic</span></a> <a href="https://oc.todon.fr/tags/contemporarymusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>contemporarymusic</span></a> <a href="https://oc.todon.fr/tags/spectralisme" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>spectralisme</span></a> <a href="https://oc.todon.fr/tags/spectralism" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>spectralism</span></a></p>
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