Luppitt, Devon
South face of this fascinating late Saxon/early Norman font, with so much complex imagery.
The Green Man on a building on Lancaster Terrace in Glasgow. Representing spring and rebirth, the Green Man appears on a surprisingly large number of buildings in the city, but this is one of the best I've found so far.
Launceston St Mary, Cornwall
Built 1511-24, wholly of granite, the hardest of stones. Exterior almost entirely decorated with carvings. This is probably the best example of how beautifully carved granite can be.
Love the quality of the craftsmanship on this sandstone sculpture of Jesus as a child on the remains of the 1891 Pollokshields-Gelencairn Church in Glasgow. How on earth they managed to carve the folds in material quite so exquisitely, I really don't know.
Carved Column Bases.
Montjuïc National Palace.
#decoratedcolumns #stonecarving #columns
#montjuïc #montjuic #nationalpalacemuseum #barcelona #spain
Altarnun Cornwall
A magnificent piece of Norman decorative work on this font, with bearded faces of real character at each corner and traces of original colour.
Whilst I'm laid up with the lurgy I thought I'd put together selection of work from 2024.Losing Stanley was devasting but I know he had the best life. Making Nelson the Chameleon was great fun and being asked to carve an old friend in stone was a real privilege. Quite a bit of letter cutting this year including this house number for a front door!Two big jobs in the pipeline for 2025 & I hope to be able to mix it up with #Metalwork #StoneCarving #WoodCarving #Turning #LetterCutting & #Portraiture
@globalmuseum Isn’t there a history of stone carvers including self-images as hidden signatures?
This from the Senate Lobby in Canada’s Parliament buildings…
I love this sculpted plaque, complete with stone screwheads, on James Smith's 1860s Scots Baronial style Overtoun House near Dumbarton. However, the fact that two of the 'screwheads' are at right angles to the other two does rather make my brain itch!
'The Clare College Seal & the making of the Seal Sculpture' is now free to download from the booksite:
https://barnes1.net/seal/
Background in last year's above
#14thCentury #SealMatrix #WaxSeal #medieval #silversmith #StoneCarving #craftsmanship #OpenAccess #ClareCollege #CambridgeUniversity @medievodons @histodons @bookstodon
@fhardwig @overholt Was going through some photos and found this one on Cave Street, Bristol, UK
A neater solution might have been to keep the letter sizes as they were, and go with the St. abbreviation with a portion of the postcode.
The stone can be seen here on google streetview: https://maps.app.goo.gl/Q3b8wvK744hV4BLk7
Well, if this isn't one of the most beautiful things I've ever seen...
This stone isn't finished yet, but it felt particularly important to see it as it was being carved.
Urdu, the language of my grandfather, memorialised in Scottish sandstone. And somehow, within the words, within the stone his presence and his experiences memorialised too.
@blag @overholt This happens to carvers, too, as seen in this example from Stiftskirche Öhringen.
When the artist realized that space was running out, they gave everything to make the last line fit – in vain. Apparently they concluded: “Screw it, I’ll just do a nice fat ‘gt’ ligature next to it. Who cares about justification anyway?”
https://www.flickr.com/photos/hardwig/18364461154/
This was my first foray into stone carving. It evolved spontaneously as I was working, but he has the look of Pan about him?
I just got a lovely block of stone as a birthday gift and I'm very excited to do more carving this summer.
I used Faulds stone carving chisels, and a (too soft) sandstone.